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Clip-on, pedal or desktop?
A clip-on tuner reads the vibration of the instrument through the headstock rather than listening through a microphone, which means it works perfectly in a noisy room and is the practical choice for acoustic guitars, violins and ukuleles. A pedal tuner sits on a board, takes the signal by cable and mutes the output while you tune, which is what you want on stage so the audience does not hear it. A desktop unit usually combines tuner and metronome with a microphone and an input, which suits practice at home.
Chromatic or guided?
A chromatic tuner shows the nearest semitone to whatever you play, which means it will tune any instrument in any tuning, including alternate and dropped tunings. A guided tuner expects standard tuning and tells you which named string you are near, which is friendlier for a beginner but useless the moment you drop to D. Chromatic is the more useful choice long term, and most beginners adapt to it quickly.
Accuracy, cents and what actually matters
Tuner accuracy is quoted in cents, where 100 cents is one semitone. Anything within one cent is far beyond what the ear can detect on a guitar, so the headline accuracy figure rarely matters in practice. What does matter is how quickly and steadily the display settles, because a tuner that hunts around the note is slow to use in a gap between songs. Pick the note cleanly and let it ring rather than plucking hard, since a hard attack pushes the pitch sharp momentarily.
Alternate tunings and capos
If you use dropped tunings, open tunings or a capo, a chromatic tuner handles all of them without any special mode. Some tuners add a capo or transposition setting, which shows the pitch you would name rather than the actual sounding pitch. That is convenient but can be confusing, so if readings look wrong by a fixed interval, check whether a transposition setting has been left switched on.
Practising with a metronome
Most players find a metronome frustrating because they start too fast. Set it slower than feels comfortable, play the passage cleanly, and only then raise the tempo, since practising something quickly and badly simply makes the mistakes permanent. A metronome with a subdivision setting lets you hear eighths or sixteenths within the beat, which is where timing problems usually hide. Vary between clicking on every beat and clicking only on the first of the bar to test whether your time is genuinely internal.